Skip to main content

Death and the Sculptor


Wow, what a title. That’s the first thing I thought when I saw the title to this piece. So many things could be said by the title or by the piece itself. And what a beautiful sculpture! There’s something fantastic about French’s sculptures, something alive and haunting. Just stare at the picture for a moment. Can you imagine the impact if you were actually standing in front of the real sculpture? Imagine it. It’s fantastic.


Eager to find out the why behind this sculpture, I started browsing. Martin Milmore, was another sculptor who immigrated to the United States from Ireland at the age of seven. He learned how to carve in wood and stone from his brother, Joseph. On an interesting side note, he carved a bust of Henry Wordsworth Longfellow at the age of nineteen. He died early, at thirty-eight, and his brother died three years later. This sculpture is a monument to them, and marks their gravestone in its bronze form in the Forest Hills Cemetery, Jamaica Plains, Massachusetts.


In 1893 French was commissioned to make a copy of the sculpture in marble for the Metropolitan Museum of Art. The sculpture wasn’t started until after WWI, and was finished in 1926. The sculpture is currently at the Met, along with more of French’s sculptures.






“Come, stay your hand, Death to the sculptor cried,
Those who are sleeping, have not really died.
I am the answer to the stone your fingers
have carved, the baffling riddle that still lingers
Sphinx unto curious men. So do not fear
this gentle touch. I hold dark poppies here
whose languid leaves of lethargy will bring
deep sleep to you and an incredible spring!
Come with your soul, from earth’s still blinded hour.
Mount by my hand the high, the timeless tower!
Through me the night and morning are made one,
your questions answered, your long vigil done.
Who am I? On far paths no foot has trod,
some call me Death, but others call me God.”
-Epitaph, Milmore Memorial


Can't think of a better note to end on.
Until later,
Penny Lane

Thanks to these sites for the info and pics!
http://www.yeodoug.com/resources/dc_french/angel_of_death/dcfrench_angel_of_death.html
http://my-bankruptcy-help.com/?b=Daniel_Chester_French
http://www.yeodoug.com/resources/dc_french/milmore/dcfrench_milmore.html
http://www.metmuseum.org/toah/works-of-art/26.120
http://en.wikipedia.org/wiki/Martin_Milmore
http://www.bellamorte.net/epitaphs.html

Comments

Popular posts from this blog

Now: Time for Wax

Though my post is a little late, cut me some slack. It's raining and gorgeous outside, and we've been enjoying it. Might sound crazy, but I am so glad this summer is over.  Tomorrow we head to Baer Bronze to check the metal. Before that, Mike had to go out there to check the wax:  Mostly, this blog is going to be in photos. Because the photos are awesome and speak for themselves. When I look at this wax, I'm not sure what the purpose is. Here's what I know: Mike's pieces are cast using the Lost Wax method, which means the piece is cast in wax first, remolded, and then when the bronze is poured the wax is burned away. Hence, the lost wax method.  This is an amazing shot. What I like about this broken wax piece is the detail you can see. This is pretty much what the bronze will look like. You know, minus the attachments on the bottom.  There are some of the pieces that had to be removed and cast separately. The wolf is one of my favorite figures from thi...

Now: Up at the Springville Museum of Art

It's finished! Isn't it always nice when you can say something like that? With all the work that went into this relief, Mike is ready for vacation. Even the casting process put him through a physical and emotional ride. The work that goes into creating something, from concept to finished product, is amazingly strenuous and impressive. When I try the process myself I tend to give up, so I have a tremendous respect for artists in general. Last night we went to the opening of the Fall Show at the Springville Museum of Art. There were a LOT of people there. I think they ran out of cups for water. But it was a nice evening, with beautiful art, and great people. Mike has received continuous awards in this show for the last...seven years? Eight, maybe? This is how you know that he works hard and puts a lot of himself into his pieces. Not only is he good, but he uses his talents and knowledge for good. He creates pieces that convey messages about important qualities and eleme...

Now: The Molding Process

I know it's been a month since I last posted. Wondering what we're doing? Wonder no more! It's hot, the kids are back in school, and it's project-finishing time. Today I'm going to post some photos (and maybe videos) of the casting process for Mike's last project. When Mike gets to the end of a project, he can literally feel the exhaustion settle in, so for this project he spent time documenting the process. Baer Bronze examines the piece for casting The piece above has already been "tampered with," as I like to call it. Really it's just been cut up and pulled apart to make the casting process easier. Mike usually doesn't like this part, taking a knife or a saw and slicing into all his hard work. But it's worth it in the end. Figure that needed to be "dismembered" Here comes the blue stuff. This pretty blue goo is what makes the rubber mold. They mix it from powder and paint it on the clay. The foundry makes sure to ...